Gothic Theatre
The Decemberists
Colin Meloy leads the Decemberists, a five-piece outfit whose pop sound has listeners comparing the band with the likes of Neutral Milk Hotel and Belle & Sebastian. Meloy, who hails from Missoula, MT, is the main songwriter for the group. Rounding out the lineup are Ezra Holbrook on drums, Nate Query on upright bass, Jenny Conlee on accordion, and Chris Funk on theremin and pedal steel guitar. Frontman Meloy previously devoted some time to an alternative country group before breaking off to pursue his craft as a singer/songwriter in the city of Portland, a period that eventually led to the Decemberists’ formation. He also holds a degree in creative writing. In addition to her duties on the accordion, Conlee also plays piano. Funk is the band’s newest member. Before Hush Records released the Decemberists’ first album in 2002, the group put out an EP of five tracks.
“I’m a poor, drunken orphan with nowhere to go but the grave,” wailed a waifish and non-plussed Mr. Chris Funk as he lay supine by the railroad tracks. The crate of records he had been cradling in his nubile appendages now lay in pieces on the ashen ground, his complete collected recordings of sixties psychedelic luminary Rick “Paisley Dave” Rigmore scattered hit her and yon like so many dead leaves beneath a diseased elm. Noting his neglect to accredit this phrase to its rightful owner, chief engineer Jenny Conlee, her accordion neatly strapped to her back, stepped lightly from the caboose and corrected his negligence with the aplomb only an immigrant Hungarian could muster: “Dylan Thomas, sir! Please move along!” But it was too late: an indelible bond had been soldered in that moment of recognition. A few hours later, in a Turkish bath, they revealed their stories to one another between sips of a strange, tangerine liqueur. Not far from that spot, however, two young military dignitaries (Rachel Blumberg, Nate Query), appropriately lathered, overheard our two heroes’ stories. Was it chance, then, that lead the four unsuspecting bathers to seek to return their soiled undergarments at the same kiosk where worked the poor, bespectacled Colin Meloy? One can surmise all one wants, but the truth should be known that, after adopting the moniker The Decemberists, these five wan vagabonds began playing their peculiarly styled pop music in various venues all across the greater northwest, even going so far as to release a full length record in June of 2002, entitled Castaways and Cutouts, on Portland’s own Hush Records, a record which will see its second release on Kill Rock Stars on May 6th, 2003.
