Good music is felt not heard. Gramatik apparently understood that at an age of 3 according to his mother as she used to catch him glued to the radio in his older sister's room whenever there was an old funk or rhythm & blues joint on, tapping his leg on the floor along with the beat. Damn, talking about a sign on what will your child do when he grows up!

Parents got him taking piano lessons in the elementary music school when he was in 2nd grade, but he dropped out 2 years later because he wasn't feeling that whole classical music thing as that was the only genre they were teaching. He later got some private piano lessons, learning the stuff he wanted to learn to play like Beatles and Rhythm & Blues in general. He and a few of his 4th grade classmates formed a band and became the youngest band in the history of his elementary school, playing school events on the regular. When he got to 7th grade he discovered Hip-Hop and felt totally overtaken and compelled by it's elements, especially by the power of the rhythmically accented poetry(RAP). He soon left the band, started writing and became an MC. His friends were amazed by his flow and delivery since there were no hip-hop artists in his home town Piran(Slovenia) at the time, except him and one of his classmates and they were dope on top of it! They formed a duo called Bow Down and threw the first hip-hop party in the history of their home town. In 1998, Gramatik met his first audio sequencing software on the computer of his classmate's older brother and felt like he got struck by lightening, totally overwhelmed by it! His parents were financially struggling at the time, so they couldn't afford a computer, so he was hanging out at his friend's house all the time, messing around with the sequencer when his older brother wasn't home. 2 years later his parents bought him a computer and the first thing he did was install that audio sequencer! He started producing his first beats and day by day felt more and more compelled by the craft & the magic of it. It wasn't long untill he discovered sampling which became his one true love in the music making process, chopping up all those old funk, soul, blues and jazz tracks he used to listen to all the time and making something completely new out of it was the best feeling ever. All of a sudden his life started to make perfect sense.

In 2006, he and 2 of his friends, fellow MC's, released their debut hip-hop album as a group called 5th Element, which was critically acclaimed throughout the country as one of the best hip-hop albums in Slovenia. After the album, Gramatik felt hip-hop just wasn't enough, that he was limiting himself with doing only one genre while he enjoyed listening to so many of them so he started producing House, Techno, Breakbeat, Electro, Drum'n'Bass, basically any genre that he liked which was anything that evolved from Blues, Jazz, Soul and Funk, as those ''father genres'' were all embedded deep in his style, whatever he would do. He realized that to him, music is much bigger than a genre name and their specific categorization, it's all about embracing what moves you and rejecting what doesn't. He released his first ever track on Beatport.com in june 2008, which was an Electro House track, a remix he did for DJ Vitamin D's track entitled Motherfuckers Know Whos The Best. The track ended up 24 on the Electro House Top 100 chart, a nice surprise and an excellent quality validation for this newcomer. Soon after that he ended up on 40 of the House Top 100 chart with his tribal banger Letz Get Ill while his Dreams About Her EP topped the Chil Out top 100 chart for 3 weeks. He kept releasing different stuff on various labels all owned by DJ Vitamin D which he became good friends with. Not long after his first release stroke the chart, Vitamin D suggests to him that he should scrap up those 20 hip-hop beatz he had sitting in a flash player on his myspace for over 2 years and release them as an album on the new Chill Out/Trip-Hop/Instrumental Hip-Hop label he's about to open inspired by those same beatz he was listening to. So Gramatik does that(thinking he won't sell more than 3 tracks off the album since they were just 2:30 minuets long hip-hop beatz, which are not commonly sold on beatport) and the album he entitled Street Bangerz Vol.1 get's released in december 2008 on the fresh new label Cold Busted. little did he know that the album was gonna catapult straight to the 1 spot on the Top 100 Chill Out chart and has been holding hostage the first 20 spots ever since. Street Bangerz Vol.1 has been a total success, completely unexpected, selling over 50.000 tracks world wide in less than 6 months on beatport alone. It made him realize that quite often, the things that you expect to work the least, usually work the most. Gramatik is now working on various projects while determined to keep up the SB series, dropping one a year, perfecting them volume after volume and hopefully tour the world in due time.

The Brooklyn based electronic duo, Break Science kick off 2012 with the release of their second EP entitled Monolith Code (Pretty Lights Music). As seasoned producers and touring veterans, Adam Deitch and Borahm Lee have produced and performed with everyone from The Fugees, Wu Tang Clan, and Talib Kweli, to reggae legend Lee Scratch Perry and Miles Davis collaborator, John Scofield. On Monolith Code, Break Science evokes a wide spectrum of electronic genres filtered through a musician's lens, all while moving people spiritually AND on the dance floor.

"Monolith Code is the innate message we have to decipher to get to the next step in our evolution" says Lee. "The monolith represents a transition into a higher level of consciousness. A spark that initiates us to consider wider possibilities and ideas. The code is the system to express this transformation. Containing information from the past, present and future, it holds the key to unlock our potential as spiritual beings."

Adam Deitch describes the musical process behind the record. "We understand that to bring our vision to life, we have to spend just as much time on the programmed elements as we do on the live elements. Our goal is to blend these elements seamlessly, so everything comes together in an organic way. Our music is layered with different frequencies and sonic textures so it becomes something you can listen to multiple times and STILL hear new elements you might have missed the first time. We are influenced by everything from hip-hop and glitch, to jazz, soul, vinyl drum breaks and dub. We like certain elements of dubstep and drumstep (especially that BASS) and try to incorporate that sound in a fresh, new way."

Break Science is poised to make their biggest mark yet onto the burgeoning livetronica scene. Joining forces with a movement of new electronic artists on the Pretty Lights Music label, this potent duo will continue to push the boundaries of modern music.

Eliot Lipp didn't choose to become one of the most looked to artists in contemporary electronic music, but somehow, Lipp's sound, one that uses vintage gear to create a unique take on Hip Hop and House, has quickly garnered the respect among the industry's most influential musicians and producers as well as the deep admiration among audiences worldwide.

Since being discovered by Scott Herren (aka Prefuse 73) in the mid 2000's, and releasing albums on the cutting edge labels Eastern Developments, Mush and Hefty as well as backing the hype with a relentless touring schedule of influential live shows all over the globe, Lipp has quickly become one of the barometers for the revival of electronic music in the States.

Originally hailing from Tacoma, WA, Lipp paid his dues in the underground scenes of almost every primary market in the US, Europe and Asia, including stints in Los Angeles, San Francisco and Chicago before dropping roots in the Brooklyn scene that has continued to produce some of the most recognized artists in contemporary indie and electronic music.

Lipp's signature sound, a crossbreed of 90's Hip Hop and House, 70's Funk fusion as well as classic Electro, has and will continue to breakdown barriers and transpose trendy scenes. Whether programming Hip Hop beats, writing dirty basslines, collaborating with the likes of premier producers, DJs, MCs and musicians, examined by SPIN, URB, Pitchfork and other media or playing popping parties at clubs and festivals worldwide, Eliot Lipp will continue to do his part in revolutionizing electronic music.

Over the last several years, Colorado producer Paul Basic (Paul Brandt) has developed his own brand of beats fusing dusty samples with hard hitting drums and razor-sharp basslines. His roots are in drumming, having played in a band with label-mates Michal Menert and Derek Vincent Smith through highschool before moving on to produce his own tracks. He draws from a slew of inspirations in order to create his own style within the PLM electro hip-hop movement. A Colorado native, Paul lived on both coasts while pursuing a degree in audio production, before he came back to CO to team up with his crew and begin his quest for domination of the global dance floor. Fall 2011 will see Paul Basic's debut on the PLM label with his new EP 'The Mirror'.

When drawing from the right pool of inspiration, sometimes the right mixture of sounds can come together and make something new. Possibly something hard to put one name on. Today people like to jump on the next genre bandwagon, and intentionally make music that fits one genre. SuperVision is not about one sound. Instead it is about many sounds brought together with an approach that delivers a stylistic sound design that isn't classified with one or two words. It is a sound that you can count on evolving without departing from what makes it unique.

The sounds created and played by SuperVision are the works of Richard Blake Hansen. With a DJ career spanning over 12 years and 1000+ gigs, his place in the music industry has been found. Within a couple of years of DJing he was cutting his teeth in music production. He moved to Fort Collins Colorado in 2002 and met Derek Vincent Smith and Michal Menert. After studying production and learning from the best, he went on to audio engineering school. He has enjoyed sharing the stage with such well known acts as Pretty Lights, Michal Menert, DJ AM, Jazzy Jeff, Public Enemy, DJ Craze, Klever, DJ Skribble, Steve Aoki, Tommie Sunshine, Quest Love, Classixx, La Riots, Villains, RJD2, and Ghostland Observatory.. to name a few. In 2011 SuperVision has arrived.